The English literary scholar F.W. Bateson (1901-1978) edited a journal called Essays in Criticism. In an editorial from 1966, he discussed the quality of writing he and his colleagues expected from contributors:
To be blunt about it, we want every sentence in every article that we print to be in respectable English. And if I am asked to define what our criteria of stylistic respectability are I will probably have to confess that they boil down to ‘Oxford’ English—by which I mean the kind of prose that Matthew Arnold practised supremely well and that is still written, perhaps from the benefit of his example, by a surprising number of members of his University.
He then posed the reasonable question, “What are the characteristics by which an Oxford prose style can be recognised?”