Description: Domenico Quaranta is a contemporary art critic and curator. His work focuses on the impact of current means of production and dissemination on the arts, and on the way they respond - syntactically and semantically - to the technological shift. He is the author of Beyond New Media Art (2013) and Surfing con Satoshi (2021) and a co-funder of the Link Center for the Arts of the Information Age (2011 - 2019).
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Domenico Quaranta is a human, a father, a lover, a gardener, a writer, an exhibition maker and a teacher. When at keyboard, he can be reached out at info @ domenicoquaranta.com and on some exploitative online platforms . A white male Caucasian Gen X by birth, he does his best to make the universe forgive him this original sin; but despite containing multitudes, he still can't stand gender neutral pronouns. Raised in the countryside and living in between meatspace and informational flows, since the early 200
Older books include In My Computer (2011), Beyond New Media Art (2013) and AFK. Texts on Artists 2011 - 2016 . Once a frequent, now erratic collaborator with magazines and reviews, he contributed to, edited or co-edited a number of books and catalogues, including Sopravvivenza programmata (2020, with Valentino Catricalà), GameScenes. Art in the Age of Videogames (2006, with Matteo Bittanti) and THE F.A.T. MANUAL (2013, with Geraldine Juarez).
FORM+CODE In Design, Art, and Architecture by Casey Reas, Chandler McWilliams, and LUST
Abstract-codex > INDEX
Art Micro Patronage
Random Magazine - New Media Art / E-culture
Identify Yourself
Red Lines by Evan Roth, 2018