Described as «a composer of masterful craft with a genuine clarity and purity of vision» (Guitar Review), Dušan Bogdanović has developed a personal synthesis of contemporary classical, jazz and world music. His work numbers over two hundred published compositions, including a variety of commissions for solo guitar, chamber ensembles, orchestra and multimedia, as well as numerous recordings. Early in his career, he received the only First Prize at the Geneva Competition and gave a highly acclaimed debut re
Dušan’s theoretical work includes Polyrhythmic and Polymetric Studies , Counterpoint for Guitar and Harmony for Classical Guitar published by Edizione Curci, as well as Ex Ovo and Tradition and Synthesis published by Doberman-Yppan/Production d’Oz. After having taught at the Belgrade Academy and at the San Francisco Conservatory, Dušan was engaged bythe Haute école de musique de Genève from 2007 to 2020.
Décrit comme «un compositeur au métier magistral avec une véritable clarté et pureté de vision» (Guitar Review), Dušan Bogdanović a développé une synthèse personnelle de la musique classique contemporaine, du jazz et des musiques du monde. Son œuvre compte plus de deux cents compositions publiées, dont une variété de commandes pour guitare seule, ensembles de chambre, orchestre et multimédia, ainsi que de nombreux enregistrements. Au début de sa carrière, il reçoit le seul Premier Prix du Concours de Genève