B etween December 2001 and February 2005 I hosted a concert series in San Francisco premised on presenting found sound and field recording-based sound art in as comfortable an environment as possible.
The series, Field Effects , featured work from sound and media artists from the West Coast, other parts of the United States, and beyond.
Field Effects was awarded a a Best of San Francisco award in 2003 from the SF Weekly , and a Best of the Bay award from the San Francisco Bay Guardian in 2004.