Description: Looking Deeper at The Best Classic Movies Together
On even a cursory level Touch of Evil has all the ready hallmarks of Orson Welles the auteur. Working in tandem with veteran Universal cinematographer Russell Metty (they had collaborated before on The Stranger ), they develop the director’s preferred mise en scene from claustrophobic dutch angles to deep focus photography.
It’s no minor coincidence that these all feel like a holdover from his days of Citizen Kane and The Magnificent Ambersons with the late Gregg Toland. Of course, in that time the industry had certainly changed and with it Welles’s place within the establishment.
His most recent film before Evil was the globe-trotting European crime picture Mr. Arkadin and besides the tinges of noir, and an earlier appearance by Akim Tamiroff, it feels closer to the template Welles would have to vie for in the future.