Jason Hendrik Hansma’s work explores the in-between, the liminal, and the nearly articulate. Drawing from a wide range of references and materials, Hansma’s work deals with standards, architectural, cultural, and physical, along with the ways in which works are made outside of standardized norms. For Hansma, a photograph might be created over months, an entire exhibition might happen in ‘transitional spaces’ such as hallways, doorways, or window sills. A hand-stitched curtain slows down an exhibition’s moti
Jason was born in Lahore Pakistan, in 1988, completed a Master of Fine Art at the Piet Zwart Institute, and was a participant at the Jan van Eyck.
Exhibitions, performances, readings, and screenings have been included at UNESCO, Bauhaus, Dessau, Maison van Doesburg, KADIST, Frac Nouvelle-Aquitaine MÉCA, Art Basel Hong Kong’s Satellite Program, Eye Filmmuseum, Ludwig Forum für Internationale Kunst, Contemporary Art Centre Vilnius, Centre Georges Pompidou, Parc Saint-Léger Centre d’art Contemporain, Hordaland Kunstsenter, Centre International d’art et du paysage de l’île de Vassivière, Center For Contemporary Art Futura, Jan van Eyck and De Appel among