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In 1949, a man by the name of Ahmet Ertegun, who was in charge of signing talent to Atlantic recordings, heard a song on a jukebox in a dive bar somewhere in New York City, called “Baby, let me hold your hand”. Ertegun flipped out at the sound of the man singing this incredible song, barely believing what his ears were hearing: the sound of one of the greatest soul singers in an extremely early recording of a song that nobody believed in except for Ahmet Ertegun. The name of the singer from that formidable
Since the huge success of Michael Jackson’s “Thriller” album, the record industry has always been looking for that next big quick “hit”. “Thriller” went on to become the biggest selling album of all time, with over 45 million records sold worldwide, but that success could not be duplicated during the following years, much to the chagrin of the record industry. The industry became almost like a junkie looking for it’s next heroin fix, a billion dollar monster always needing to fill it’s massive coffers with
No longer would a label nurture an artist like Columbia Records and A&R man John Hammond, in particular, did for a young Bruce Springsteen, who had to build his career slowly by putting out albums like “Greetings from Asbury Park” and “The Wild, the Innocent and the E-Street Shuffle” which had dismal record sales in 1972 and 1973. It would take almost ten years to get the huge hit that was “Born in the USA” on top of the charts, and Columbia was willing to sweat it out until that happened.