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Description: Silver Screen Capture | Your source for movie reviews, news and features by Atlanta-based film critic Stephen Michael Brown
There’s a nearly thirty minute series of cutaways in his overlong new stunt spectacular in which Tom Cruise is seen winding through mountains on a motorcycle towards his inevitable jump from a mountain onto a train; if only that level of coordination had been reserved for story and script! Christopher McQuarrie’s Mission Impossible: Dead Reckoning – Part One (B) is a sturdy entry in the cat and mouse action series with exciting sequences and set pieces, the addition of an intriguing new character in the for
This is the Never Say Never Again of the Indy franchise with a curious sense not everything is up to peak creativity, and perhaps the filmmakers should have heeded the final three words of that creed. James Mangold’s Indiana Jones and the Dial of Destiny (C+), chronicling the raiders of a steampunk timepiece with rumored time travel powers, showcases the famed professor/archaeologist with both a murky de-aged CGI uncanny valley of the kings effect as well as an unflattering portrait of the character’s creak
The brazen style and balls-out swagger of Emma Seligman’s Bottoms (C) earns the surreal comedy about marginalized young people some nifty novelty points, but the freshness of this brisk tale of two high school lesbians (Rachel Sennott and Ayo Edebiri) who set up a fight club as a guise to hook up with the popular cheerleaders wears off lickety-split. The compelling central duo at the film’s center certainly wins some deserved laughs with droll, deadpan and raunchy dialogue as well as heartfelt empathy, milk
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